four audience as players live controlled the sound through tablets. each player as an initiator interacted with one body part of the dancer. the sound from each audience was corresponding to one designed character of the four loudspeakers.
in production with HfS Berlin
a modern horror that acts within the mind.
music was composed with texts, vocals, thick noise as the backbone and harsh flying high-tones. sound was researched and designed in association with a butchery, recorded, produced, live mixed and distributed to six channels of loudspeakers which formed a surrounding space for the players and observers. sound was chosen as the medium to transport the invisible ghostly character of the structural violence.
light was reacting to the triggered sound by the players. it was not only a mediator of the visualised sound effect but also designed as a space cutter.
performer received sound input from the players. the effect of the input was visualised through the choreographed movement qualities that evolved over time. the extreme status of kinetic exhaustion was endeavoured.
oil on canvas
2 80 * 140 cm
1 120 * 120 cm
1 100 * 160 cm
documentation photo by Astra